UFO OVER BURLINGTON WISCONSIN

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The Signal
Dr. Bruce Cornet is doing some valuable work in the research of this light phenomenon, but going under the theory that it is math related which may be the case. To view his work go to: :
http://www.monmouth.com/~bcornet/signal.htm

At first, I thought this may be the case too, but lately I have felt that , as in the case of Crop Circles, the signals could be harmonic .

There were two mysteries to be solved . One , as of yet, has not and that is deciphering the signal. The other was why me, of all people? But I think I have solved that one.... Although I may not have the expertise , there are those out there that do ..and being that I have this website , the radio station and the contacts  - it was given that sooner or later ,  someone would come along and help us to decipher the signals.

The photos at the top of the page were taken right outside our ufo and paranormal center , 549 N. Pine Street, Burlington Wisconsin
These lights appear whenever there is a ufo over head and we are tryng to photograph it.


Click Here to Watch Light Streams on Video Clip Taken at the Burlington UFO and Paranormal Center -April 7, 2005 
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Following are some illustrations that may or may not apply to the lights we photograph here in Burlington.
I have put them up in hopes that someone may be able to use them to help decipher the light beams that we have.

THE MEASUREMENT OF LIGHT
Planetary Harmonics

The astrophysical parameters of a planet are, in part,
that which create its astrological characteristic
(psychophysiological resonance). An example
chart of Earth's Harmonic Spectrum is presented
below. Earth's astrophysical parameters are
shown translated to their corresponding alpha
brain wave frequencies, audio frequencies,
and light (color) wavelengths.

The fundamental frequencies of a planet are
derived from the planet's astrophysical
parameters such as diameter, circumference,
rotational velocity, orbital period, etc. These




frequencies generally have very long wavelengths, thus they lie in the very low frequency (ELF) and ultra-low frequency (ULF) range. Planetary harmonics govern natural long-term biological growth patterns, monthly and yearly biological processes, and daily brain and psychophysiological function.

First, let's explore the basics of harmonics in color and sound. Brainwaves and audio frequencies are measured in frequency, were as light is measured by its wavelength (the inverse of frequency). The higher a frequency the shorter its wavelength. The unit of measure commonly used for light is the Angstrom (Å). One Angstrom = 10 to the minus 10th meter (a very short wavelength). The visible octave of light extends from 7000 Å (red) to 4000 Å (violet)--red having a longer wavelength than violet. The mid-audio octave is six octaves up from the alpha brain wave octave and the visible octave of light (color) is 40 octaves up from the mid-audio octave.
Lights taken 1-14-05
When we think of a color of light, generally we are visualizing a narrow band of several frequencies that comprise a single color. In the chart shown above, the center frequency (wavelength) of each of the basic colors is shown, as well as their corresponding audio and brain wave frequencies. Also shown is the conventional musical scale, which reveals where each note lies with respect to the colors in the light spectrum. For example, if we were to raise the note "C" forty octaves up, its corresponding color harmonic lies in the green part of the light spectrum. The note "A" raised forty octaves lies in the orange part of the spectrum.















 

PHOTO TAKEN 4-4-05
The following chart shows the fundamental Earth
harmonics in light, sound, and brain wave
frequencies. All of these frequencies (and
probably many more) create Earth's unique
"Harmonic Signature."                                                                                                                        PHOTO TAKEN 4-4-05
The Schumann Resonances

The 7.83 Hz. Schumann Resonance figure many people hear about is a number made popular by researcher Robert Beck whose work on ELF signals, Earth resonances, and their affect on brain wave frequencies was presented at a U.S. Psychotronic conference and published in late 1970's. He reported that 7.83 Hz is a brainwave frequency often detected when psychics are in their intuiting mode. Others following his work proclaimed the Schumann Resonance to be 7.83 Hz., although this has led to some confusion as to the true nature of the Schumann Resonances, and to the assumption that Earth herself resonates at this frequency, which it does not.

In actuality, there are several frequencies between 7 and 50 Hertz that compose the Schumann Resonances. These frequencies start at 7.8 Hz and progress by approximately 5.9 Hz. (7.8, 13.7, 19.6, 25.5, 31.4, 37.3, and 43.2 Hz.). These resonances are NOT composed of fixed or specific frequencies any more than the collective mood of human surface consciousness is fixed. Changes occurring in these frequencies are quite normal and do not indicate anything out of the ordinary. All of these frequencies fluctuate around their nominal values. For example, the fundamental Schumann frequency fluctuates between 7.0 Hz. to 8.5 Hz. These frequencies vary from geological location to location, and they can even have naturally occurring interruptions.

These frequencies were first calculated by
Schumann in 1952,
he reporting the lowest in the group to
be about 10 Hz.
They were later measured by the
National Bureau of
Standards at Boulder Colorado
in the 1960's where
the 7.8 Hz nominal figure was
discovered with
the 5.9 Hz progressing overtones.

The Schumann Resonances are the result of
cosmic energy build-up within the cavity
that exists between Earth's highly conductive
surface and the conducting layer in the upper
atmosphere called the ionosphere.* This
creates a world-wide lightning display of
broadband electromagnetic impulses that
fill this cavity and that act as the stimulus
for the cavity to resonate.


* A part of Earth's upper atmosphere is ionized plasma caused by the sun's ultraviolet radiation. This layer, the ionosphere, couples Earth's outer magnetosphere with Earth's inner neutral atmosphere.


The Schumann Resonances are a part of many frequencies that create Earth's "Harmonic Signature."

The 7.8 Hz. Schumann fundamental frequency is quite close to Earth's 7.5 Hz. circumference harmonic (calculated using the speed of light at Earth's surface). It is also close to 8 Hz., an ideal number from a mathematical perspective. Because of all of these factors, the 7.83 Hz. frequency, the 7.8 Schumann Resonance or an 8 Hz. frequency, had been proclaimed by some to be an ideal frequency to attune to, and that to electronically generate a frequency in this range may even protect us from unwanted harmful frequencies--a point upon which I tend to differ and elucidate in the "Light and Sound for Healing" section below.

To support our greatest well being, and to make possible our evolution and spiritual awakening, we must allow ourselves (and our brainwave patterns) to breath in concert with mother Earth and with her natural cycles moment to moment. The Earth is a spherical receiver of cosmic energy (evolutionary intelligence) which directs our biological process and spiritual evolutionary unfoldment. The Earth re-radiates the cosmic information it receives from its core outward in complex long-wave signals. We receive these signals via our spinal columns and cranial structures (a vertical antenna system). The cranial cavity, the capstone to this antenna captures this information and re-focuses it to the pineal gland, a neuro-endocrine transducer in the center of the brain, where it is then transmitted (via the hypothalamus) as signals that direct the pituitary gland, the master control center of the brain.

Signals in nature breath and meander. Only man made signals are well-defined sign-wave frequencies. It is possible to entrain the brain with artificially generated signals in a matter of seconds. We are not intended to function at one specific frequency. Entraining ourselves with artificially generated frequencies for extended periods, whether 8 Hz or by the 50 and 60 Hz power fields we live in, is debilitating and dangerous. It can create degeneration, disease, and mental, emotional, and physical disharmony and imbalance. Most importantly it can keep us from receiving and integrating the cosmic intelligence provided by mother Earth in a harmonious way. That intelligence is responsible for our evolutionary awakening. It is more important now than ever to be attuned to Earth's core, and the natural cycles of nature for our psychophysiological stability and soul / spiritual awakening.

There has also been rumor circulating in some esoteric circles about the 7.8 Hz. Schumann frequency increasing and that this implies a raising of the awareness or spirituality of human consciousness. In my opinion, both points are nonsense built upon misunderstandings about the fluctuating and multi-frequency nature of the Schumann Resonances and about the nature of frequencies in general. Even if it were (which would require a significant change in the physical size of the Earth or in her surrounding atmosphere), an increase in frequency does not imply an increase in awareness--on the contrary if anything. From a philosophical perspective, if one were to extend their field of perception out to embrace more space, one would be relaxing their brainwave patterns toward a longer wavelength, toward zero, not increasing their brainwave frequencies. When people say, they are increasing in frequency, or increasing their vibrational rate, and they are referring to shifting from a material form to a light form, or to a more transcendent dimensional form, these terms (used to describe frequencies in the electromagnetic spectrum) are really inappropriately applied. They are implying general concepts of thought only and should be understood as such.
Although there are many other parameters creating each planet's "harmonic signature," the following chart is a comparison of the four basic parameters of each planet: rotation and sidereal period (time), and circumference and diameter (space).

HARMONICS COMPARISON
Exploration for Musicians and Sound Healers



The following material reveals how to adjust the pitch of the conventional musical scale so it resonates to different planetary harmonics--in this case, Earth or Venus. Composing music in a pitch resonant to Venus, for example, can bring out an entirely new expression and an entirely new response from the listener.

The following two charts show musical octaves adjusted to the planetary harmonics of Earth and Venus. The first chart is more educational in nature. It shows the conventional musical scale, the Pythagorean musical scale, and a musical scale shifted to resonate with Earth's mean circumference.

The Pythagorean musical scale is simply based on whole number progression of 8 Hertz as the fundamental frequency to create the note "C." That is, 8 Hz. raised 6 octaves is 512 Hz. This drops the pitch of the conventional musical scale--from middle C being 523 Hz. to middle C being 512 Hz. Eight hertz is very close to the Schumann Resonance of 7.8 Hz.

The musical scale based on Earth's circumference drops middle C yet further, down to 479.104 Hz.
In Tune to Venus

There are five scales in the chart below. The first one shows the conventional musical scale. Each of the other four are shifted in pitch to resonate with four different harmonic parameters of Venus.

The scale based on the circumference of Venus has the note "C" adjusted to this harmonic. The scale based on the diameter of Venus has the note "G" adjusted to this harmonic. The scale based on the rotation of Venus also has the note "G" adjusted to this harmonic. The scale based on the sidereal (orbital) period of Venus has the note "A" adjusted to this harmonic.

This last scale may be the easiest for musicians to explore for reasons discussed below. This scale raises the note "A" from the conventional 440 Hz. to 442.38 Hz. To compose music in this slightly higher pitch can provide a quite interesting experience. Because "A" is the note in this scale that is resonant to the Venus sidereal period, it may be of interest to explore composition in the key of A.
<----ufo

Changing the Pitch of a Musical Instrument

Obviously it is not possible to change the pitch on all musical instruments, but the pitch can be changed slightly on some reed and string instruments, and on some synthesizers. Because the pitch is shifted the least amount in Venus Sidereal Period scale, it may be the easiest one for most musical instruments to easily accommodate.

More sophisticated synthesizers may provide the capacity to vary the pitch to accommodate the other scales, and some may even offer the ability to program the frequency of each note individually (which opens up the possibility to create non-conventional scales with the planetary harmonics). Either way, there is the need to have a frequency readout of at least one note to adjust the pitch control of the synthesizer. If a synth does not have this feature, it is simple to connect a "digital frequency counter" for this purpose. (Ask your local electronics' wiz to help). To adjust an acoustic instrument, simply use a microphone (and amp if required) fed into a "digital frequency counter."

There are many ways to explore the use of Planetary Harmonics. Applying them in musical composition is a safe approach. However, caution should be exercised if using any electronically generated frequency for a sustained period.


Planetary Harmonics in Light and Sound for Healing

My exploratory research in the 1980's using specific colors, sound, and geometry tuned to the planetary harmonics was extremely affective at stimulating mental, emotional, and physical response for healing purposes. The different harmonic parameters of one planet also have different effects as well (too involved to discuss in this introductory presentation). The use of specific frequencies in this more focused way should be explored only by those who have a thorough understanding of bio-energy medicine; light-sound technologies; mental, emotional, and physiological correspondences; and the "healing crisis" process.

Because of the entraining capacity of single electronically generated frequencies (as described under "Schumann Resonances"), if they are used for sustained periods, they can trigger and hold a person in any number of psycho-emotional states. For example, specific frequencies can trigger or accentuate any "condition of weakness." If a person has a thyroid condition and suppressed anger, certain frequencies may trigger this condition and enrage the person. If a person has a thymus (heart chakra) immune weakness and suppressed fear, sustained man-made frequencies can trigger and hold that person in extreme paranoia. (This type of entrainment already occurs due to the 50 and 60 Hertz electromagnetic fields people live in daily and the electronic devices they live with--including TV's and computers.) For this reason, and when using frequencies for healing purposes, specific frequencies (especially in coordinated color and sound), should be used in sequences or progressions designed to bring a person completely through a healing crisis rather than simply trigger the condition, or worse yet, sustain it.

Use of any of the information presented herein and any effects
it may produce is the sole responsibility of the user.
This material is offered for research and educational purposes only.
* * *
This is an initial introduction of an in-depth and cooperative work with E.E. Richards - more to come as I have time...
http://www.lunarplanner.com/Harmonics/planetary-harmonics.html
Diatonic Ratios in Crop Circles
One of the first researchers to point out links with musical scales was Gerald Hawkings, a retired professor of astronomy at Boston University. Having worked at the Harvard-Smithsonian Observatory in the 1960's, he had already done much research on the astronomical importance of Stonehenge. After earning a subsidiary degree in Pure Mathematics from London University he analysed aerial photographs and ground surveys of crop circles and was surprised to spot a clue to their possible origins - lying in the ratios of musical notes.
The first link Gerald made to crop circles was in November 1990 when he discovered that, to his surprise, the ratios of musical notes showed up in the crop fields of England, in two different ways - for concentric rings it was in the relationship of the area of the larger to the smaller circles, and for satellite circles around larger circles it was in the diameters. Interestingly, numbers representing sharps and flats in music did now show up in the crop patterns.
Exploring Musical Scales
Gerald stated that if we examine the exact frequency of the white notes on a piano we will find that, with perfect tuning, the note middle C has a pitch of 264Hz (vibrations per second). If we play the C note in the octave above (C') we will find that the frequency is 528Hz. This is exactly double, giving a ratio of 2:1.
If we now examine every note in the major scale we will find an elegant, yet exact, diatonic ratio - shown in the diagram below.
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Using these ratios between the notes, we find that each note has a unique frequency;

      Note    Ratio    Frequency (Hz)
       C       1        264
       D       9/8      297
       E       5/4      330
       F       4/3      352
       G       3/2      396
       A       5/3      440
       B       15/8     495
       C'      2        528


These ratios are fundamental to music because as we rise each octave above middle C, exactly the same ratios are used but doubled. For example, E' (each ' is used to represent the rise of one octave) has a ratio of 10/4 and A'' gives 20/3. These ratios also give the intervals in all the notes in the other major keys too.

So, how does this relate to crop circles?
When we started analysing the ground surveys of crop formations we started to find that the same diatonic ratios started showing up in the relationship between various elements of the formation - either the ratio of a circle to it's ring, or perhaps a large circle surrounded by smaller satellite circles. Gerald analysed the entire sample of circles accurately measured by Colin Andrews and Pat Delgado between 1981 and 1988. Out of a total of 18 formations, 11 gave diatonic ratios.

In 1988 a formation was discovered at Corhampton in Hampshire which not only contained diatonic ratios, but also precise Euclidian mathematics.

The tuning by which notes are related by whole number ratios is known as just intonation, and are what the human auditory system recognises as consonance. The significance of just intonation has been recognised for at least 5000 years and being so would seem the way for ET to go if they were trying to signal us.  "If it worked for our ancestors surely we should be able to understand it as well. "
CONTACT
Our Ancient Mysteries MS and Abduction Buddies Group  , Jeff , came up with this:
Mary this might partially explain some of your photographs - just a thought!!! Cheers Jeff
And what a great thought it was! Mary Sutherland
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Russian DNA Discoveries Explain Human  'Paranormal' Events
Summarized by Baerbel * Edited and translated 1-17-5


Esoteric and spiritual teachers have known for ages that our body is programmable by language, words and thought. This has now been
scientifically proven and explained.
The human DNA is a biological Internet and superior in many aspects  to the artificial one. The latest Russian scientific research directly
or indirectl y explains phenomena such as clairvoyance, intuition, spontaneous and remote acts of healing, self healing, affirmation
techniques, unusual light/auras around people (namely spiritual masters), mindâ¬"s influence on weather patterns and much more.
In addition, there is evidence for a whole new type of medicine in  which DNA can be influenced and reprogrammed by words and frequencies  WITHOUT cutting out and replacing single genes.
Only 10% of our DNA is being used for building proteins. It is this subset of DNA that is of  interest to western researchers and is being examined and categorized. The  other 90% are considered "junk DNA."
  The Russian researchers, however, convinced that nature was not dumb, joined linguists and geneticists in a venture to explore that 90% of "junk DNA." Their results, findings and conclusions are simply revolutionary!
  According to there findings, our DNA is not only responsible for the construction of our body but also serves as data storage and
communication. The Russian linguists found that the genetic code - especially in the apparent "useless" 90% - follows the same rules as
all our human languages.
  To this end they compared the rules of syntax (the way in which words are put together to form phrases and sentences), semantics (the
study of meaning in language forms) and the basic rules of grammar. They found that the alkalines of our DNA follow a regular grammar and do have  set rules just like our languages. Therefore, human languages did not  appear coincidentally but are a reflection of our inherent DNA.
  The Russian biophysicist and molecular biologist Pjotr Garjajev and  his colleagues also explored the vibrational behavior of DNA. In brief  the bottom line was: "Living chromosomes function just like a holographic computer using endogenous DNA laser radiation." This means that they managed, for example, to modulate certain frequency patterns (sound) onto a laser-like ray which influenced DNA frequency and thus the genetic information itself.
  Since the basic structure of DNA-alkaline pairs and of language (as explained earlier) is of the same structure, no DNA decoding is
necessary. One can simply use words and sentences of the human  language!
This, too, was experimentally proven!
   Living DNA substance (in living tissue, not in vitro) will always  react to language-modulated laser rays and even to radio waves, if the
proper frequencies (sound) are being used. This finally and scientifically explains why affirmations, hypnosis and the like can have such strong effects on humans and their bodies. It is entirely normal and natural for our DNA to react to language. (harmonics-sutherland)
  While western researchers cut single genes from DNA strands and  insert them elsewhere, the Russians enthusiastically created devices that influence cellular metabolism through modulated radio and light frequencies, thus repairing genetic defects.
  They even captured information patterns of a particular DNA and transmitted it onto another, thus reprogramming cells to another
genome. So they successfully transformed, for example, frog embryos to salamander embryos simply by transmitting the DNA information  patterns!
This way the entire information was transmitted without any of the  side effects or disharmonies encountered when cutting out and re-
introducing single genes from the DNA.
  This represents an unbelievable, world-transforming revolution and sensation: by simply applying vibration (sound frequencies) and
language instead of the archaic cutting-out procedure!
  This experiment points to the immense power of wave genetics, which obviously has a greater influence on the formation of organisms than  the biochemical processes of alkaline sequences.
  Esoteric and spiritual teachers have known for ages that our body is programmable by language, words and thought. This has now been
scientifically proven and explained.
  Of course the frequency has to be correct. And this is why not  everybody is equally successful or can do it with always the same strength. The individual person must work on the inner processes and development in order to establish a conscious communication with the DNA. 
The complete story can be
HERE

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ANOTHER POSSIBILITY IS DNA AND HYPER COMMUNICATIONS
Last Night I was watching a science program.
I was thrilled to see something that helped to shed more 'light' onto  our study of  strange light phenomenon picked up over Burlington - when there is a ufo present.

Please click the following to watch a small video clip showing and explaining how laser beams are used to transmit and relay information .

Thank you.  Mary Sutherland