| Psychic or Radionic Photography - Psychic Photography Phase Shifting and Tulpoids of the Mind World Photos by Brad and Mary Sutherland Burlington Research Center Copyright 2006 HOME |
Reference: QuantaGraphy®: Images from the Quantum Hologram By M. Sue Benford, Peter Moscow, Edgar Mitchell and Peter Marcer
Phase Shifting - Projecting a Hologram of Self
To posit a full theory of this phenomena, a number of questions must be fully examined:
1) What is the relationship between the test object and the subject?
2) How does the test object carry and transfer the complete information of the subject?
3) How is this information optically obtained by the camera system?
The proposed theory is that the test object is a specimen from the subject that emits a complete quantum hologram, representative of the subject for the condition tested, and that
such hologram represents quantum entanglement/coherence with the subject. That the quantum hologram can be caused to affect the optical part of this phenomena through
mediation of the operator's focused intention; such mediation creating resonance, entanglement/coherence of the entire system, and, under the right conditions, produce a
holographic-like image.
To make a standard hologram, two optical waves are needed: a reference wave and an object wave. These two waves make a 3-D holographic image by creating an interference
pattern frozen in space-time. Both waves are spatially and temporally coherent at the moment of creation, then separated into an object wave and reference wave. The object wave
is directed towards the object and experiences intensity changes and phase-shifts upon illuminating the object. Normal 2-D photographs record only the intensity changes of the
object wave and do not record the phase-shifts. However, when the reference wave is directed back towards and recombined with the object bearing wave, an interference pattern
is created that records the phase-shifts of the object wave relative to the reference wave. These phase-shifts are what produce the apparent freezing in space-time of the object's
3-D image.
The question remains: how is the quantum holographic pattern recorded ? Standard holography requires a reference wave be redirected towards the object radiation wave. For
a quantum hologram to exist requires quantum entanglement/coherence, with its emitting object.. The pcar requirement causes the quantum hologram to also be a self
referencing system with its emitting object . By observing the test object and system , the operator places himself and camera in " resonance" with the test object and the
subject. Thus, with the system, the reference wave originates from the directed intention of the camera operator which forces quantum entanglement/coherence of the
complete system.
More notes on Holographic Photo Resonance:
The prerequisite need for human intention/anticipation as part of the BMC (Brain/ Mind/ Consciousness) modeling also seems vital. Without that component it is unlikely that
any of the images would have been produced.
All the evidence indicates that the BMC matrix of a human being obviously "captures" or "resonates" with the target information which it seeks by either sensory contact with the
subject or an icon sufficiently representing the subject, so to permit resonance and their quantum entanglement/coherence. The transduction of that information is what appears
to take place quantum holographically when the cameras are imprinted during a typical imaging session.
On the basis of relevance alone it can be adduced that the human brain creates holographic images from the visual (and other sensory data) experienced on an empirical
basis. It seems likely that it (the brain) must of necessity produce that which it can understand; thus, multi-dimensional images, or at least good quality two-dimensional
structures, which it can partially extrapolate into acceptable pictures
M. Sue Benford - Empirical Evidence Supporting Macro-Scale Quantum Holography in Non-Local Effects- Journal of Theoretics
The author suggests that a reference wave originating from the directed intention of the camera operator is put in circuit with the object wave, combining to create a holographic
interference pattern which is recorded on the photographic material. The possibility of information transfer between test object, camera operator and photographic plate is further
supported by evidence from a 1993 experiment, in which C. Bennett and his scientific team demonstrated that photon quantum informational characteristics can be transmitted
instantaneously between two laboratories independent of space-time, via EPR entanglement.
-------------------------------------------------------------------------------------------------------------------------------------------
"Paranormal Pictures"
Reference: Colonel Thomas E. Bearden, U.S. Army (Retired)
These photographs are a fairly easy paranormal phenomenon to obtain.
Briefly, one model of reality can be constructed whereby orthogonal worlds (3D spaces) all share the same 4th dimension, time, much like spokes of a wheel around an axle. In
this model, all 3-spaces, three or more orthogonal turns away from the laboratory 3-space (i.e., from the observers spatial frame) are minds or mind-worlds. Each thought is an
object in the mind-world of the thinker, in such a model. Further, all the 3-spaces crosstalk a tiny bit, usually so small a magnitude as to be virtual (unobservable even in theory).
However, under certain amicable conditions, thought-forms or thought energies in such thought worlds can superpose sufficiently to breach the threshold between worlds. When
progressively turning or rotating towards the laboratory frame a s a result of such super-position, the tulpoid energies/forms pass first into one frame away, which constitutes the
ordinary electromagnetic field. In that frame they can affect ordinary photographic film, particularly film which is sensitive in the ultraviolet or infrared. In fact, if visible light is of low
intensity or nonexistent, the effect is enhanced because visible light is a quenching of the paranormal channel.
Quite simply, the infrared and UV regions are essentially windows into other orthogonal 3-spaces and hence mind worlds. If the effect of visible light is lessened or
eliminated, but these windows are left open, paranormal pictures are fairly simple to initiate.
Trevor Constable uses a Wratten 18A filter to accomplish this
Further, any type of ionization discharge/spark discharge/cascade discharge serves as a sort of collector for the tulpoidal energy to superimpose upon and emerge from. In this
case, it is the candle flame, with millions of glowing, energetic, excited photon-emitting molecules and atoms that it is acting as the cascade collector for the effect. In Kirlian
photography, e.g., it is the spark discharge. Here the ordinary light is what is impressed on the film, but it is the rotating of higher fields into the EM field that forms and shapes the
changes noted in the discharge pattern. Water also enhances the effect. A Geiger counter tube, e.g., contains a cascade discharge mechanism -- and Geiger counter readings are
often obtained in association with paranormal phenomena. Here it is not actually radioactivity that is being read, but cascading electrons. The higher fields, when superimposing
sufficiently to reach the first orthogonal flame, then start inducing or producing charge in conductive paths, hence cause bursts of electrons to start in the first stage of the Geiger
tube, initiating the cascade discharge and the reading.
Note also that Fuji film seems to be a bit more sensitive to infrared and to uv than ordinary film.
So in the situation photo, it is probably a burst or discharge of orthorotated thought energy or emotional energy that emerges from the candle flame. Parallelism of the two lines
from each pair shows the coherence (timewise) that is necessary to have such superposition of higher biofields and consequent threshold orthorotation of them into the ordinary
UV window.
Finally, one other effect is important: the kindling or flashing effect, i.e., repetitive shots or snaps also pulses through the IR/UV windows and causes time oscillations a la
Kozyrev. If the visible light quenching effect (dampening) of the persistent decay curve of each pulse is not too great, then the pulses build into resonance -- or bursts across the
threshold through the UV/IR windows.
Beardens Hypothesis:
The quenching of the hyper-channel (the paranormal channel) by photon interaction (i.e., by light) is proportional to the spectral luminous efficiency.
A host of data fits this hypothesis.
It also explains the sensitivity of cats and other animals (whose eyes work further into the UV/IR portions of the spectrum than do the eyes of humans) to paranormal phenomena.
However, animals which compete in a sunlit world must also hold onto that quenching peak at the visible light peak at about 570 nanometers wavelength. Otherwise, they would
become so preoccupied with the paranormal (tulpa) dither in/out that some other animal not so preoccupied would eat them. For the same reason, competition forces humans to
do likewise.
The photon interaction -- which quenches the hyperchannel by differentiating and removing time -- creates objectively (L3, separated spatially), totally. And this is clearly shown
by the most fundamental experiment of quantum mechanics, Youngs two-slit experiment.
And God said, "Let there be light!" -- and that was objective creation, the separation of the L3 spatial macroworld from the dimensionless, timeless, nothingness/allness
voidless void.
We have only just begun to comprehend.
--------------------------------------------------------------------------------------
Phase Shifting - Projecting a Hologram of Self
To posit a full theory of this phenomena, a number of questions must be fully examined:
1) What is the relationship between the test object and the subject?
2) How does the test object carry and transfer the complete information of the subject?
3) How is this information optically obtained by the camera system?
The proposed theory is that the test object is a specimen from the subject that emits a complete quantum hologram, representative of the subject for the condition tested, and that
such hologram represents quantum entanglement/coherence with the subject. That the quantum hologram can be caused to affect the optical part of this phenomena through
mediation of the operator's focused intention; such mediation creating resonance, entanglement/coherence of the entire system, and, under the right conditions, produce a
holographic-like image.
To make a standard hologram, two optical waves are needed: a reference wave and an object wave. These two waves make a 3-D holographic image by creating an interference
pattern frozen in space-time. Both waves are spatially and temporally coherent at the moment of creation, then separated into an object wave and reference wave. The object wave
is directed towards the object and experiences intensity changes and phase-shifts upon illuminating the object. Normal 2-D photographs record only the intensity changes of the
object wave and do not record the phase-shifts. However, when the reference wave is directed back towards and recombined with the object bearing wave, an interference pattern
is created that records the phase-shifts of the object wave relative to the reference wave. These phase-shifts are what produce the apparent freezing in space-time of the object's
3-D image.
The question remains: how is the quantum holographic pattern recorded ? Standard holography requires a reference wave be redirected towards the object radiation wave. For
a quantum hologram to exist requires quantum entanglement/coherence, with its emitting object.. The pcar requirement causes the quantum hologram to also be a self
referencing system with its emitting object . By observing the test object and system , the operator places himself and camera in " resonance" with the test object and the
subject. Thus, with the system, the reference wave originates from the directed intention of the camera operator which forces quantum entanglement/coherence of the
complete system.
More notes on Holographic Photo Resonance:
The prerequisite need for human intention/anticipation as part of the BMC (Brain/ Mind/ Consciousness) modeling also seems vital. Without that component it is unlikely that
any of the images would have been produced.
All the evidence indicates that the BMC matrix of a human being obviously "captures" or "resonates" with the target information which it seeks by either sensory contact with the
subject or an icon sufficiently representing the subject, so to permit resonance and their quantum entanglement/coherence. The transduction of that information is what appears
to take place quantum holographically when the cameras are imprinted during a typical imaging session.
On the basis of relevance alone it can be adduced that the human brain creates holographic images from the visual (and other sensory data) experienced on an empirical
basis. It seems likely that it (the brain) must of necessity produce that which it can understand; thus, multi-dimensional images, or at least good quality two-dimensional
structures, which it can partially extrapolate into acceptable pictures
M. Sue Benford - Empirical Evidence Supporting Macro-Scale Quantum Holography in Non-Local Effects- Journal of Theoretics
The author suggests that a reference wave originating from the directed intention of the camera operator is put in circuit with the object wave, combining to create a holographic
interference pattern which is recorded on the photographic material. The possibility of information transfer between test object, camera operator and photographic plate is further
supported by evidence from a 1993 experiment, in which C. Bennett and his scientific team demonstrated that photon quantum informational characteristics can be transmitted
instantaneously between two laboratories independent of space-time, via EPR entanglement.
-------------------------------------------------------------------------------------------------------------------------------------------
"Paranormal Pictures"
Reference: Colonel Thomas E. Bearden, U.S. Army (Retired)
These photographs are a fairly easy paranormal phenomenon to obtain.
Briefly, one model of reality can be constructed whereby orthogonal worlds (3D spaces) all share the same 4th dimension, time, much like spokes of a wheel around an axle. In
this model, all 3-spaces, three or more orthogonal turns away from the laboratory 3-space (i.e., from the observers spatial frame) are minds or mind-worlds. Each thought is an
object in the mind-world of the thinker, in such a model. Further, all the 3-spaces crosstalk a tiny bit, usually so small a magnitude as to be virtual (unobservable even in theory).
However, under certain amicable conditions, thought-forms or thought energies in such thought worlds can superpose sufficiently to breach the threshold between worlds. When
progressively turning or rotating towards the laboratory frame a s a result of such super-position, the tulpoid energies/forms pass first into one frame away, which constitutes the
ordinary electromagnetic field. In that frame they can affect ordinary photographic film, particularly film which is sensitive in the ultraviolet or infrared. In fact, if visible light is of low
intensity or nonexistent, the effect is enhanced because visible light is a quenching of the paranormal channel.
Quite simply, the infrared and UV regions are essentially windows into other orthogonal 3-spaces and hence mind worlds. If the effect of visible light is lessened or
eliminated, but these windows are left open, paranormal pictures are fairly simple to initiate.
Trevor Constable uses a Wratten 18A filter to accomplish this
Further, any type of ionization discharge/spark discharge/cascade discharge serves as a sort of collector for the tulpoidal energy to superimpose upon and emerge from. In this
case, it is the candle flame, with millions of glowing, energetic, excited photon-emitting molecules and atoms that it is acting as the cascade collector for the effect. In Kirlian
photography, e.g., it is the spark discharge. Here the ordinary light is what is impressed on the film, but it is the rotating of higher fields into the EM field that forms and shapes the
changes noted in the discharge pattern. Water also enhances the effect. A Geiger counter tube, e.g., contains a cascade discharge mechanism -- and Geiger counter readings are
often obtained in association with paranormal phenomena. Here it is not actually radioactivity that is being read, but cascading electrons. The higher fields, when superimposing
sufficiently to reach the first orthogonal flame, then start inducing or producing charge in conductive paths, hence cause bursts of electrons to start in the first stage of the Geiger
tube, initiating the cascade discharge and the reading.
Note also that Fuji film seems to be a bit more sensitive to infrared and to uv than ordinary film.
So in the situation photo, it is probably a burst or discharge of orthorotated thought energy or emotional energy that emerges from the candle flame. Parallelism of the two lines
from each pair shows the coherence (timewise) that is necessary to have such superposition of higher biofields and consequent threshold orthorotation of them into the ordinary
UV window.
Finally, one other effect is important: the kindling or flashing effect, i.e., repetitive shots or snaps also pulses through the IR/UV windows and causes time oscillations a la
Kozyrev. If the visible light quenching effect (dampening) of the persistent decay curve of each pulse is not too great, then the pulses build into resonance -- or bursts across the
threshold through the UV/IR windows.
Beardens Hypothesis:
The quenching of the hyper-channel (the paranormal channel) by photon interaction (i.e., by light) is proportional to the spectral luminous efficiency.
A host of data fits this hypothesis.
It also explains the sensitivity of cats and other animals (whose eyes work further into the UV/IR portions of the spectrum than do the eyes of humans) to paranormal phenomena.
However, animals which compete in a sunlit world must also hold onto that quenching peak at the visible light peak at about 570 nanometers wavelength. Otherwise, they would
become so preoccupied with the paranormal (tulpa) dither in/out that some other animal not so preoccupied would eat them. For the same reason, competition forces humans to
do likewise.
The photon interaction -- which quenches the hyperchannel by differentiating and removing time -- creates objectively (L3, separated spatially), totally. And this is clearly shown
by the most fundamental experiment of quantum mechanics, Youngs two-slit experiment.
And God said, "Let there be light!" -- and that was objective creation, the separation of the L3 spatial macroworld from the dimensionless, timeless, nothingness/allness
voidless void.
We have only just begun to comprehend.
--------------------------------------------------------------------------------------
